work-2018
Phänomen der Ablüsse / phenomenon of outflows
Phänomen der Ablüsse / phenomenon of outflows

gefangen in endlosen Wiederholungen / trapped in endless repetitions

fasriger Überwurf / fibrous throw
fasriger Überwurf / fibrous throw

nicht ohne Grund erzähle ich Dir / not without a reason I’m telling you

Lebensblase / life-blister
Lebensblase / life-blister

die Grenze zwischen den Zahnreihen / the border between the row of teeth

Herzmuskel-Maschine / myocardial-machine
Herzmuskel-Maschine / myocardial-machine

in der halben Drehung / in a half turn-around

Schmetterlingsflügel / butterfly wings
Schmetterlingsflügel / butterfly wings

den Schlag der Schmetterlingsflügel / the beat of the butterfly wings

Himmelsblase / heaven's-bubble
Himmelsblase / heaven's-bubble

woraus der Wald besteht / what the woodland is made of

versteckt / hidden
versteckt / hidden

in mir das Grün der Gräser / inside me the green of the gras

berührt / touched
berührt / touched

habe etwas berührt / touched something

Deine Lippen / Your Lips
Deine Lippen / Your Lips

von einer erheblichen Verwirrung ergriffen / seized by a significant confusion

durchkreuze / cross through
durchkreuze / cross through

durchkreuze den leeren Raum / cross through the empty space

Work 2017
Work2017, No.2 »The Miracle«
Work2017, No.2 »The Miracle«

The story tells about a wayward nun, Megildis, who deserts her convent with a knight...

Work 2017, No.1 »The Portrait of a Lady«
Work 2017, No.1 »The Portrait of a Lady«

The idea is simple - a young American woman is confronted with her destiny, whatever it might be

Work 2016, No.6 »Couldn't believe«
Work 2016, No.6 »Couldn't believe«

she had said that

Work 2016, No.5 »Manifest«
Work 2016, No.5 »Manifest«

The »Manifest« (by Lisa Kränzler & Tomaso Carnetto) is about the »Loss-Machine«. The »Loss-Machine« (body-machine, giant-typewriter, vitruvian machine etc.)  is a fundamental antithesis to Heidegger's "Gestell"...

Work 2016, No.4 »Desire Path, Studies for Painting I«
Work 2016, No.4 »Desire Path, Studies for Painting I«

The Sandman is said to sprinkle sand or dust on or into the eyes of the child at night to bring on dreams and sleep.

Work 2016, No.3 »By the Way...«
Work 2016, No.3 »By the Way...«

Let me give you a noteworthy instance. lt can happen that violence over-reaches the bounds of the taboo in some way.

Work 2016, No.2 »The Goat Path, Chapter One«
Work 2016, No.2 »The Goat Path, Chapter One«

I am not the Sandman. Maybe I am the draftsman. No, I am not! Not at all. Wait a moment, I have to think about it…

Work 2016, No.1 »The Goat Path, Preface«
Work 2016, No.1 »The Goat Path, Preface«

The work on the "existential notation" leads us into a space between two oppositional areas

Work 2016
Notation 2016, No.6 »Centre Pompidou«
Notation 2016, No.6 »Centre Pompidou«

»Architects spend an entire life with this unreasonable idea that you can fight against gravity.«

Notation 2016, No.5 »Anselm Kiefer at Centre Pompidou«
Notation 2016, No.5 »Anselm Kiefer at Centre Pompidou«

»You cannot avoid beauty in a work of art«, Anselm Kiefer

Notation 2016, No.4 »Remembering Istanbul«
Notation 2016, No.4 »Remembering Istanbul«

»Life can't be all that bad, I’d think from time to time. Whatever happens, I can always take a long walk along the Bosphorus.«

Notation 2016, No.3 »The Mandrake«
Notation 2016, No.3 »The Mandrake«

Reports of the effects of consumption of mandrake are blurred vision, dilation of the pupils, dryness of the mouth, difficulty in urinating, dizziness, headache, vomiting, blushing and a rapid heart rate as well as hyperactivity and hallucinations.

Notation 2016, No.2 »Paris Street Art«
Notation 2016, No.2 »Paris Street Art«

“Second only to the master of us all, Clodia (1) has become the most discussed person in Rome. Versus of unbounded obscenity are scribbled about her over the walls and pavements of all the baths and urinals in Rome.” 
Thornton Wilder, The Ides of March

Notation 2016, No.1 »Perceptual-Identity of Street and Stage«
Notation 2016, No.1 »Perceptual-Identity of Street and Stage«

»All the world's a stage, and all the men and women merely players; they have their exits and their entrances, and one man in his time plays many parts...

Lectures 2018
notations / eleventh lecture / July 9th / 2018
notations / eleventh lecture / July 9th / 2018

now we have to spend…

notations / tenth lecture / July 2nd / 2018
notations / tenth lecture / July 2nd / 2018

about the six basic editing fields…

notations / ninth lecture / June 25th / 2018
notations / ninth lecture / June 25th / 2018

forcing oneself to make decisions

notations / eighth lecture / June 11th / 2018
notations / eighth lecture / June 11th / 2018

about a reference we cannot deny…

notations / seventh lecture / June 4th / 2018
notations / seventh lecture / June 4th / 2018

What is a notation? Setting a notation means to manifest

notations / six lecture / May 28th / 2018
notations / six lecture / May 28th / 2018

Names, we give to a person, an object or a place…

notations / fifth lecture / May 15th / 2018
notations / fifth lecture / May 15th / 2018

Every mental phenomenon is characterized…

notations / fourth lecture / May 7th / 2018
notations / fourth lecture / May 7th / 2018

Yes! It is the sheer pleasure of pleasure…

notations / third lecture / April 23rd / 2018
notations / third lecture / April 23rd / 2018

The question of how to write down my existential notations / my text…

notations / second lecture / April 16th / 2018
notations / second lecture / April 16th / 2018

I have to concentrate more on the notations...

Lectures 2016-2017
1st Lecture 2017 »Structure and Volume«
1st Lecture 2017 »Structure and Volume«

Personal experience as an indispensable precondition for the creation of art and design

Read More →
10th – 12th Lecture 2016/2017 »Revealing the Machine II«
10th – 12th Lecture 2016/2017 »Revealing the Machine II«

Someone who gets into the state of being will only be able to identify himself as a Being in the moment of immediacy...

Read More →
1st – 9th Lecture 2016/2017 »Revealing the Machine I«
1st – 9th Lecture 2016/2017 »Revealing the Machine I«

The smallest element of being touched (which we actively perceive), we call "Formative"

Read More →
8th Lecture 2016 »Are you Experienced?«
8th Lecture 2016 »Are you Experienced?«

»If you can just get your mind together
Then come on across to me
We'll hold hands an' then we'll watch the sun rise from the bottom of the sea...«

Read More →
7th Lecture 2016 »The Difference between Subject and Object«
7th Lecture 2016 »The Difference between Subject and Object«

We and the world around us are standing in a reciprocal relation.

Read More →
6th Lecture 2016 »The Moments of Participating«
6th Lecture 2016 »The Moments of Participating«

“We who draw do so not only to make something visible to others, but also to accompany something invisible to its incalculable destination...«

Read More →
5th Lecture 2016 »The Spectacle of the World«
5th Lecture 2016 »The Spectacle of the World«

“The phenomenological world is not the bringing to explicit expression of a pre-existing being, but the laying down of being

Read More →
4th Lecture 2016 »An own Perspective«
4th Lecture 2016 »An own Perspective«

You need a perspective if you want to attain something what is making sense to you. But we cannot grasp any sense anymore...

Read More →
3rd Lecture 2016 »Our own Styl«
3rd Lecture 2016 »Our own Styl«

We need to find our own “style” to produce an Existential Notation and therewith – step by step – the sum of our being; of our movements, thoughts and experiences as a structural net of recursive iterations.

Read More →
2nd Lecture 2016 »Constitution of Intentionality«
2nd Lecture 2016 »Constitution of Intentionality«


The aim of our work on drawing is both creating art and with it, getting a deeper knowledge about our working on all kinds of Existential Notation which includes the knowledge about the conditions of making art and design and the use of these in our social reality.

Read More →
1st Lecture 2016 »The Intentional Space of Drawing«
1st Lecture 2016 »The Intentional Space of Drawing«

„Because we are in the world, we are condemned to meaning, and we cannot do or say anything without its acquiring a name in history.“ Maurice Merleau-Ponty

Read More →
8th Lecture 2015/2016 »Deformation of Inter-Position«
8th Lecture 2015/2016 »Deformation of Inter-Position«

During the last lectures we have learned that every work of art or design can be read as a “text”, that the “text” with its correlation of text/fragment and texture/volume builds an Inter-Position. As an Inter-Position of History, we describe a Inter-Position as a score which gives us advice for our actions. With this knowledge now we have to think about: What the aim of the given Inter-Position? What do we believe, in which position are we standing? What do we want to achieve and therefore what transformation has to be accomplished?

Read More →
7th Lecture 2015/2016 »Summary – from Understanding to Creation«
7th Lecture 2015/2016 »Summary – from Understanding to Creation«

How to construct an “Inter-Position”.
In the concrete process of creating a work of art or design which stands in relation to history (i.e. to construct a Inter-Position), the following steps are essential...

Read More →
6th Lecture 2015/2016 »The Inter-Position of History«
6th Lecture 2015/2016 »The Inter-Position of History«

The term History describes a single action or a continuity of actions which have the quality of a quantitative impact. Quantitative impact means the number of people which are influenced by this respective action.

Read More →
5th Lecture 2015/2016 »Area of Inter-Position«
5th Lecture 2015/2016 »Area of Inter-Position«
Read More →
4th Lecture 2015/2016 »How to get the fragments?«
4th Lecture 2015/2016 »How to get the fragments?«
Read More →
3rd Lecture 2015/2016 »How to choose the fragments?«
3rd Lecture 2015/2016 »How to choose the fragments?«
Read More →
2nd Lecture 2015/2016 »What is a texture?«
2nd Lecture 2015/2016 »What is a texture?«
Read More →
1st Lecture 2015/2016 »What is a text?«
1st Lecture 2015/2016 »What is a text?«
Read More →

Lectures 2014

Lectures 2013